Produced by Cake Production.Īssociate Director, Creative Development, Vogue: Alexandra Gurvitch Senior Producer, Vogue: Jordin Rocchi Senior Editor: Evan Allan Johannesburg Crew Director: Nadezna Radcore Producer: Cat Lindsay DP: Jimmy Reynolds ACs: Gabriel Attwood, Dean Hibbert Camera Operator: Thapelo Mvubu Audio: Liezl Durand Lighting Assistant: Calvin Makhemeng Stylist: Chloe Andrea Welgemoed Hair Stylist: Brandon Swanepoel Makeup Artist: Annice Gerber CCO: Pixie Mthunzi Rome Crew Executive Producers: Tommaso Fajdiga Producer: Elisabetta Zecca Producer, On Set: Annalia Silecchia Director: Michele Formica DPs: Alessio Hong, Francesco Pratesi ACs: Nicola Petralia, Andrea Napolitano Gaffer: Raffaele Silvestri Audio: Francesco Ravè Makeup Artist: Gianluca Ferraro Hair Stylist: Emanuele Vona PA: Lorenzo Grossi CCO: Pierre Vincent Tricarico Creative Editorial Director, Vogue: Mark Guiducci Global Network Lead & U.S. Thebe’s talking about his culture, I’m talking of my own-but actually, we share the same values, the same idea of fashion as self-expression.” Your past has taught you all the humility and drive you possess. Ultimately, Piccioli says, “this is a demonstration that fashion can connect the world. 1 day ago &0183 &32 Kwaku Manu’s Transformation Touches Fans. That’s why we focus on relatable characters within a familiar. Some stories only include one type of transformation others mix and match different themes for even more interesting combinations At SciFantastica, we want to tell a great story. Each column of F contains fan-beam projection data at one rotation angle. “When I think of my culture, I think of it as quite regal,” Magugu told Piccioli at the final unveiling, “and you’ve managed to completely capture that.” You could be transformed into literally anything. F fanbeam (I,D) calculates the fan-beam projection data (sinogram) F from the image I.
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